Joe and Oswald discuss the vagaries of their mostly text-based relationship, their shared love for Jewish people, the relative merits of capers, and a shart that shocked the system.

In an epic summit of modern podcasting luminaries, Medialoper Bebop mastermind Jim Connelly stops by the studio to discuss the stuff he loved in 2011. The guys also rap about Oswald’s change of life, Joe’s golden rod, and Reality Bites.

Joe and Oswald are joined in the studio by the legendary Ira Brooker, and yes – he brought his beard. The guys rap about outhouses, dream sets, Archie comics, and use of the c-word in literary fiction.

Joe’s in a funk, Oswald may have lost his mind, and special guest host Tim Horna has seen many, many movies.

Joe and Oswald rap about American history, dads, the Stones, grammar, Van Halen’s squabbles, and the artistry of their laziness.

With the future of Audio Assault hanging in the balance, Oswald and Clymer show some respect for the game.

Audio Assault presents this season’s lost episode, a certified Turkey Of The Year, marinating in its own salty broth.

In this episode of Audio Assault, Joe has soap issues and Oswald finds an old friend in the most unexpected of places. Plus ten minutes of aimless movie talk, complete with extended analysis of Cruising.

It’s our 69th episode, and of course things get smutty – Joe has a quesadilla problem, Jere’s at the mall, and Oswald could fist any guy in this room, right now, without it being gay. Plus: Thee-Ram Jam!

It’s our second annual Halloween Spooktacular, and we’re bringing out the big guns! Unfortunately we forgot to load our “guns” with the “ammo” of topics and everyone is half-asleep. But trust us when we say, this episode of Audio Assault is horrifying…ly funny!

If you’re new to Audio Assault, or you have friends that are new to Audio Assault, this is the place to start. The award-winning first three seasons, condensed into one power hour of non stop riffage and awkward silences.

Joe is back in the studio, and tensions are inexplicably high as the guys discuss Drive, John Cusack movies, and Jim Connelly.

Joe Gibson had to bow out of this episode due to scheduling conflicts, but the man taking his place is none other than Audio Assault’s original prodigal son Jeremy fucking Clymer. This guy is a legend, for those of you who aren’t old enough to remember, and we’ve been waiting a long time for him to make another appearance. Everything is just so much beef under the bridge as we discuss the Netflix thing, a moral quandary thing, the Criterion thing, and then some other things. It’s good; you’ll enjoy it.

It’s the final season four installment of Audio Assault’s Lab Notes, the show that chronicles AMC’s Breaking Bad, the show that chronicles one man’s attempt to create pure, beautiful meth in the face of seemingly impossible odds. We’ve danced around each other like hungry alley cats for most of this season, debating whether the show had lost its special something. In this episode we finally become cats that have stumbled upon a chess board and immediately commence the fiercest, most competitive contest in the history of the sport. It’s a master class in marbled pwnage, to be certain, and it begins right now, as soon as you click play. There are spoilers.

In our latest episode, we broadcast live from a mall. Topics include FYE, beds, Slurpees, cocaine, spiders, and grandmothers.

Joe’s on the road again, so longtime show friend Cameron McBride steps in to help Jere and Oswald hold the fort down. This fort is built on a foundation of the following: Courtney Love’s memoir, Christina Hendricks, cantaloupes, Charles Bronson impressions, chainsaws, and unemployment checks.

Lab Notes is back! After resting our critical faculties for the last few weeks, we resume our campaign of fanboy gushing, blissfully unburdened of Joe Gibson’s presence, as he dares not show his face in the Coffin Weed Studio, lest it be laughed at, by us. Because, holy shit.

Finally: the gang’s all here, with Jere resuming his rightful place beside Joe Gibson and Oswald Hobbes in this veritable pantheon of funnymen. There’s something in the air today, some tang wafting through Coffin Weed Studios – who can say what it is? It’s magical, is all that matters, and it propels the guys to lofty heights as they discuss new music, old jokes, and the strange things Joe’s mom does with an electric toothbrush.

Jere “The Comedian” Pilapil hits the road, so Oswild “Buck” Hobbes and Li’l Joey Gib-Gibs have the studio to themselves. They use it to argue about parallel universes, online trivia games, and Predator 2. Plus: Hobbes ramps up for a new ambient music project and Joe struggles to find appropriate man-bait with which to entrap his girlfriend. Music by Girls, digital moonscapes by Wendy Carlos.

In a rip-roaring new episode of Audio Assault, the guys groove to Sly & The Family Stone, run down their favorite on-screen karate kicks, and try to coach Jere on the intricacies of emoticons. Also: Joe and Oswald settle their Larry The Cable Guy beef! Plus: Audio Assault gets a cloud AND a stinger!