After a lengthy hiatus that had longtime Audio Assault fans in an uproar, Lab Notes is back! We’re discussing the new episode of Breaking Bad in a way that we never have before – with special guest star Tim Horna!

It’s the season 4 premiere of your Audio Assault! What did we do on our “vacay”? What was our favorite part of 13 Assassins? Is the new Lil Wayne album good enough to get him “off blast”? Listen for all this, plus a contest!

It’s the season finale of Audio Assault Season 3, so we threw away the playbook and came up with something fresh: an old timey radio play about a gang of cat thieves planning their last big score before retirement. Special thanks to Cameron McBride, Jim Connelly, and Phil “The Worm Angel” for their services as foley artists. And sorry to the cast, who didn’t get paid – we just dumped our entire budget into a Facebook ad.

The fabled Coffin Weed roundtable convenes again to feast upon another delicious episode of AMC’s Breaking Bad. But will a celebration of the series’ sudden uptick in action and suspense become a tense showdown between warring factions, with a small Asian man stuck in the middle? Things look grim for our heroes, and also for Walter White and Jesse Pinkman.

It’s the penultimate episode of Audio Assault’s groundbreaking, majestic, incomparable third season, and we’ve got a doozy: we watch the throne(s), we discuss the finer points of Robocop, and then we take a trip to the water park. Everybody gets a boner. Also: Joe had a missed connection at the library.

It’s that time again – our distinguished panel of experts break apart the new episode of AMC’s Breaking Bad and get inside the shrapnel to discover real meaning in what can only be described as the most original and best television series of our time.

The main elements of every Foo Fighters performance are more or less unimpeachable. They’ve got their sound down pat, Dave Grohl’s a consistently good songwriter, singer and guitarist with enough flashes of great per album to keep things interesting. The rhythm section is tight and powerful to match. And they plow through recording with straight [...]

Today, Audio Assault becomes everything, all encompassing, massive: from technology to music to pure beauty, we’re riding a new frequency. Can you hear it? If you hear it, do you dig it?

Another week, another episode of AMC’s groundbreaking, incendiary, complex, brilliant, masterful, and altogether compelling original series Breaking Bad. And once again our distinguished panel of experts (and their girlfriends) explore the nooks and crannies of said episode.

In a true doozy of an episode, the following things happen: Joe visits the mall, Oswald fucks his career in the ass, and Jere’s fridge pulls an Amy Winehouse. Plus: Sbarro gets a moment in the sun and podcast beef escalates to heretofore unknown levels.

A new feature of Audio Assault, Lab Notes is an analysis of the latest Breaking Bad episode. This week: “Thirty Eight Snub.”

It’s entrancing. Sometimes.

It’s a slight comedown from the all-time high of last week’s glory, but our new episode offers its own distinctive pleasures: Joe Gibson is out, spending some much-needed quality time with his sister, so show friend Tim Horna steps in, rolls up his sleeves, and immediately pronounces Bryan Cranston “a horrible TV actor.” Oswald and Jere fire back, but can they defeat Tim Horna in time? Spoiler alert: they do, and the conversation moves on to Donnie Darko. We also rap about Pitchfork, Jere’s trip to Chicago, and the Odd Future think piece jokes that simply won’t die. What else could it be, but Audio Assault? Were it anything else, it wouldn’t smell like this. Pull up your pants and lean back, fuckers! It’s a new dance I just made up.

In this episode of Audio Assault, Jere and Oswald destroy the universe and rebuild it in their own image simply by meeting face-to-face for the first time. It brightens up the Coffin Weed Studio considerably, but the real shocker is Dr. Joe Gibson’s shocking return to form. Suddenly loose and wild, he shocks the system. Nothing much is discussed besides Netflix and Lou Reed, but then again – isn’t that everything?

Dr. Joe Gibson is back from “vacay” in the latest episode of Audio Assault. The guys discuss the music they’ve been jamming on lately and then engage in yet another spirited debate about online trolling practices. Then Joe tells a story about sushi. Will you luagh or will you cry? The choice is up to you.

Limp Bizkit is Motley Crue. Limp Bizkit is Black Eyed Peas. Limp Bizkit is eternal.

Cameron McBride makes his landmark second appearance on Audio Assault, raising the bar and also the roof. The guys talk prostates, poop, Lady Gaga, and art that makes them say “fuck you” to people who just don’t get it. Some have called this episode “risible,” and we agree – provided that means we’ve risen to the challenge of being the greatest fucking podcast on the planet.

Oswald, Jere, and Joe gather once again inside the Coffin Weed Studios to gab it out. What fat did they chew this week? Wal Mart’s unfair hiring practices, what jokes are appropriate to make at a dead junkie’s funeral, and Joe’s ridiculous anti-smoker prejudice. They shoulda called this show 2 Chill Bros and a Fuddy Duddy, but they didn’t. They called it Audio Assault.

Oswald and Jere are joined by semi-original cast members Joe Gibson and the After Party Timmy for a celebration of all things dick-related.

Another week, another excellent guest: Jere’s buddy Taylor drops by the studio to talk about E3, his wacky neighbors, and Drive Angry. Plus: Jere learns why it’s advisable to keep only a box of Arm & Hammer and your weed in the fridge! It’s a typically “killing” episode of what the New York Times recently declared “America’s most involved (and involving) podcast.”